面对占地2.5公顷的庞大场地，我们试图批判传统的单一式社区中心，它通过单一的形式表达“社区”。相反，在没有预设表达的情况下，设计将活动容纳于22个盒子中，同时消解场地的纪念性尺度。你将不再进入一个单一的“社区中心”；它将是一个社区，也是邻里的中心。
Faced with a vast site of 2.5 hectares, we aim to challenge the traditional monolithic community center, which expresses the idea of "community" through a singular form. In contrast, without predetermining its expression, the design accommodates activities within 22 boxes, dissolving the monumental scale of the site. You will no longer enter a single "community center"; instead, it will be a community and the center of the neighborhood.
团队/TEAM
邢腾
Teng Xing
王播夏
Boxia Wang
合作/COLLABORATOR
崔敏
Min Cui
雷楠
NanLei
信息/STATUS
竞赛
Competition
02.2020-05.2020
高质量发展背景下中观特色的雄安建筑设计竞赛 公众组二等奖
Second Prize in the Public Group of the Xiong'an Architectural Design Competition with Mesoscopic Characteristics under the Context of High-Quality Development
参考/REFERENCE
六个巨大的黄铜立方体整齐地排成一列，彼此之间间距相等。这立即让人联想到重复性和工业制造的概念：它们是艺术家反复使用的工业单元。没有传统雕塑的基座或底座，它们显得裸露而直白。在它们创作的时代，“字面主义”一词被用来强调艺术作品作为被制造的物理对象的存在感。
‘
Six big brass cubes stand in a row on the floor with identical spaces between them. Immediately the ideas of repetition and manufacture arise: they are an industrial unit that the artist repeats. Without the bases or plinths of traditional sculpture they appear naked and exposed. ‘Literalist’ was a term applied at the time of their making, to emphasise the work of art’s existence as a made physical object.’
--
Collection highlights: National Gallery of Australia, National Gallery of Australia, Canberra, 2014
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显然，张永和老师也意识到了建立并使用规则和系统作为校园设计指导的益处。然而，他并未将这些规则仅作为指导，而是跨越了建筑设计和城市设计的界限，混淆了两者的学科边界。
这种误解的结果是一个令人遗憾的糟糕而阴郁的城市环境。这也证明了，一个良好的城市环境与糟糕的城市环境之间的区别，不仅取决于一个精心设计的系统，还需要对概念的更深理解，有时甚至需要一点自我克制。
It is evident that Mr. Chang recognized the value of establishing and using rules and systems as guidelines for campus design. However, instead of treating these rules merely as guidance, he crossed the boundary between architectural design and urban design, becoming confused about the distinction between the two disciplines. The result of this misunderstanding is an unfortunately poor and gloomy urban environment. This demonstrates that the difference between a good and bad urban environment lies not only in a well-designed system but also in a deeper understanding of the underlying concepts and, at times, a measure of self-restraint.
面积/AREA
2.5ha
该设计基于一个共识：对于每一位生活在城市中的人来说，城市的魅力来源于在此相遇的鲜活的人们，以及在这里发生的独特故事
This design is based on a consensus: for everyone living in the city, its charm comes from the vibrant people who gather here and the unique stories that unfold here
This design is based on a consensus: for everyone living in the city, its charm comes from the vibrant people who gather here and the unique stories that unfold here
该设计并非关于创造一个“独特形状”的建筑，而是致力于构建一种能够同时改善城市环境和生活体验的策略
The design is not about creating a building with a "unique shape"; it is about developing a strategy that enhances both the urban environment and the living experience
The design is not about creating a building with a "unique shape"; it is about developing a strategy that enhances both the urban environment and the living experience
